Showing posts with label indie. Show all posts
Showing posts with label indie. Show all posts

Wednesday, 26 June 2013

EP Review: Koala - Molecules


Molecules is the latest in a line of admirable EPs from the young Bradford quartet Koala. The band make upbeat and uptempo indie rock songs with influence from all corners such as math and alternative genres. The girl fronted four-piece's sound is certainly one of the most distinctive and unique locally, in a scene often inundated by wave after wave of below par pop-punk bands, Koala produce a blend of tight intricate drums, speedy riffs and floating female vocals which always stays interesting and compelling.

For fans of: Tall Ships // Everything Everything // Foals

The EP starts with 'Prefix' the mix of pleasingly jangly guitar riffs and thundering drums moving through the gears dynamically, shifting from from intricate stuttering math rock, to blistering guitar riffs and build-ups leading to euphoric high points; a great start. The EP then slips into 'Earth, Wind & Jack' joining powerful chords with with whirling riffs and muted guitar. The drums here are also very enjoyably stuttered and jittery. 'Molecules' the title track has some great riffs, perhaps the most catchy lyrics from the EP and exactly the right amount of cowbell. FAT is another highlight from what is overall a very strong EP and has some of my favourite lyrics; shouting "I've drowned that girl"; this combined with the stunning vocal work on the track and guitars centring around fast and furious chords results in probably the best track from the EP.

Overall the sound of the EP is very strong, creating an accomplished feel that can be both intricate and powerful and which belies their years. The vocals are strong throughout and give the tracks of focal point in what can often be quite a hectic mix of sounds and tempos. Likewise, musically the EP stays interesting and complex, often putting shame to many 4 chord generic bands around. Although some of the tracks possibly aren't as distinctive as Molecules and FAT or previous songs such as 'Josephine' and 'Lead Me From This Town' - download that EP here, the tracks are still strong and possibly tighter than earlier releases and result in another one in a great line of releases, here's to a full-length album in the future?

8/10

Tracklist:
Prefix
Earth, Wind & Jack (only available with a download of the album)
Molecules
FAT

Download the EP here




The band are also playing live in Leeds at The Cockpit on Tuesday 9th July for the Futuresound competition which give bands a chance to play at Reading and Leeds festivals; get along and lend your support!

Contact the band for tickets at: koalaband@yahoo.co.uk


Wednesday, 19 June 2013

Track Review: Witch Hunt - Crawl // Chairman


Witch Hunt are a Leeds based, two piece alt-rock band with a massive sound that belies their modest two guitar and vocal set up. With influences such as Thom Yorke, Portishead and Warpaint, coincidentally some of my favourite artists, the result is an impressive output of atmospheric rock, capable of more restrained and darker songs such as 'Crawl', as well as far more ballsy and rockier tracks such as 'Chairman'. The band first caught my attention as I was trawling through the depths of the 'Live at Leeds' lineup; a festival I was gutted to miss on account of bands such Witch Hunt, Savages, Peace and Everything Everything.

For fans of: Daughter // The White Stripes // Anna Calvi // Warpaint

'Crawl' is a real gem of a track and also the one that I heard first and caught my attention. The guitar-work is intricate and the tone is wonderfully atmospheric and shimmering. The atmosphere of the song is also brilliant, it's spacious, rich and  not completely overwashed by reverb (a tool bands like Foals often rely a little too heavily on) showing this song is also very well produced and also proving that rock bands do not need to rely on drums for a great track. Then of course there is the vocals; the lead singer Louisa has a real belter of a voice and this tracks allows it to reach its full potential, allowing her to hang on notes, complementing the vast echo of the track. The lyrics similarly are wonderfully dark and complementary to the feel of the track, also remaining the right side of relatable and compelling without straying into cliche territory.



9/10


'Chairman' is a slightly different beast, this track dominated by drums and a killer riff. The drums are very interesting and a little unorthodox on this track (putting me in mind of 'Stepson' by Foals) showing this is more than your average rock track. The dual guitars taking high and lower pitches provide solid riffs throughout, but these along with several subtle alterations to the riffs, song structure and fading in and out of drums in this song, do more than enough to lift it far away from mundanity and keep it interesting - a skill that has often become the trademark of bands such as Radiohead and certainly a welcome addition to this track. The vocals here are also different, slightly lower and grittier but just as capable of delivering a raw punch of volume and emotion into the lyrics.



8/10


The band are also playing live at the following dates:

08/07 Cockpit - Leeds - Future Sound Competition * - Tickets
13/07 DV8 Festival - York
21/07 Tramlines Festival - Sheffield
27/07 Fell Foot Sound Festival - The Lake District

* Here the band will be playing for a place to play Reading and Leeds Festivals, go along and support!

Website // Facebook // Soundcloud // Youtube

Contact: wearethewitchhunt@hotmail.co.uk


Friday, 21 December 2012

Review: Tall Ships EP & Everything Touching LP


Apologies that the blogging has been rather barren recently, school work and band work towards our upcoming EP and a return to playing live after far too long (pictures are below) have kept us busy for the most part. But I thought I'd get back into the swing of things by giving a double album review of Tall Ships, a band I saw down at Latitude Festival (see my post of Saturday at Latitude) and have been really been getting into their material.

As I've said, I first saw Tall Ships at Latitude festival but only caught the end of their set, even so, what I saw made me wish I'd made the effort to get there much earlier. There was a lot of on-stage energy and obvious passion for their music, something which you would have thought may dull with time and playing the same songs again and again, but it was clear to the see enthusiasm was there throughout. This probably deserved them a much later slot than they were playing, but hey, even the best bands start at the bottom to get to the top. After the festival I started looking at their material and thought I should have a go at reviewing both their self-titled EP and their début full-length album 'Everything Touching'.

Also, for anyone local (Leeds etc) wanting to see them live, they're playing at Brudenell Social Club in Leeds next year on 3rd March for a dirt cheap price, not to be missed!: Buy Tickets. and their website here.

For fans of: Foals,The Vaccines, Mumford & Sons, Battles.

Tall Ships EP - (Buy here)


This is their début 4-track EP, something that nearly all bands produce and sometimes can tend to be better than most bands whole albums. It was clear from the start that this EP was a cut above the rest, it is what I would describe as 'clever rock', music that takes care with everything that it does but still sounds raw and fresh at the same time. I liked the use of other sampled media on the tracks such as 'Words Are Pegs On Which We Hang Ideas', something I want to experiment with in the future with Figurehead, which I feel adds an extra dimension to an already rich and complex sound. One thing that I very much admire in this band is the massive atmospheric sound with brilliant sweeping dynamics, almost approaching post rock, that they make with only 3 guys, my band struggles to even match it with 5 people in the band... They also show a lot of versatility in this EP with the inclusion of the brilliant phat synth arp on 'Books' which then drops back down effortlessly. The vocals and lyrics on this album, something that interests me a lot as a vocalist, are very good. The vocals are very solid throughout, whether singularly or in the choir-like harmonies, whist having a very good knack for decent and catchy vocal hooks and melodies. The lyrics, while nothing ground breaking, are still very, very good, whist still being provocative they have interesting themes, nautical as you would imagine, and having something that I feel my own lyrics really lack, substance. The drums also deserve a mention as I particularly enjoyed the 'running' drums in 'Vessels', having the kind of almost 'dancy' feel at times that reminds me so much of Foals. The EP is largely instrumental, letting the the music do the talking, and when the music is this good, you'll find it hard to complain.

Song Highlight: Tall Ships - Vessels. This song is by far the highlight of the EP, and probably is my favourite song by Tall Ships. It showcases everything that they can do, and they do it all so well, such as the provocative vocal harmonies, the brilliant build-up and an ending that lends itself to live sing-a-longs.

Rating: 7/10

Tall Ships - Everything Touching LP - (Buy here)


This is Tall Ships' début full length album and I have to say it starts in style with the belter of an opener 'T=0' Its clear that much has remained from the EP but they have also developed and refined what they had into something in my opinion, a bit more well-rounded. This album does get at times a bit heavier than the EP but dynamically the songs swap tempo, dynamics and intensity very fluidly. Vocals come slightly more to the fore in this album, but instrumentally it remains very strongly rooted in the complex melodies of the EP. Once again the massed vocals and tuneful singular vocals complement how melodic the music is very well. This album has a lot of diversity in it musically, from the grand sweeping tracks such as 'Best Ever', to the funkier tracks such as 'Oscar'. This is something that I'm looking to do in my band, particularly for our upcoming EP, which is creating a release which has the individuality and diversity of all the songs but is still a cohesive piece of art. There is a lot more minimalism in this release with toned-down and stripped-down songs such as 'Ode To Ancestors' and 'Send News' songs which sound almost like The Antlers, not a bad thing at all! 'Gallop' provides a brilliant lead single for the album, interesting, catchy and with a good rhythm behind it which is sure to go down well live. To finish off the album there is the 9 minute long epic 'Murmurations' once again showing that Tall Ships have a talent for longer songs which lend themselves perfectly to the end of albums or to end a set live, such as Vessels (see above)

Song Highlight: Tall Ships - T=0. One of the best album openers I've heard in a while, it grabs you right from the start and doesn't let go. It also shows the heavier side of Tall Ships' repertoire, seeing them advance from what they did with their EP to a more well balanced and diverse début album.

Rating: 8/10

Tuesday, 18 December 2012

Rewind Presents: The End of The World

Friday 19th December saw us return to live performances after the setbacks that seemed to have plagued us for the last 6 months. We gave a 40 minute set to a small but seemingly enthusiastic crowd and seemed to be well received, even the two new songs that were given their first live airing, 'Tainted' and 'Republic Of Heaven'. We also played a cover of 'There There' by Radiohead, always wary to take on a cover from Radiohead as some songs can be so damn difficult...

Radiohead - There There



All the other bands who played were brilliant especially Tweak and Explicit Symphonies - who performed admirably without a bassist or permanent vocalist. Tweak also have a festive new EP to get everyone in the mood for Christmas - http://tweaktheband.bandcamp.com/album/tweaks-christmas-present

Tom Hardie also provided excellent photographs of all the bands (see below), such professional photography at his age has also got him a good following - TH Photography (Facebook)

The last few months also saw us get to a few milestones in the band, some more worth shouting about than others:

  • We reached the six month anniversary of our last gig (O Shame!)
  • We managed to reach over 1000 accumulated plays on Soundcloud, for which we're very grateful!
  • Possibly most importantly we got ourselves onto a mentoring scheme with MAS records which provides free structure, industry advice, practising and recording to young bands on the scheme. So in short, big things lie ahead, keep posted!
So here's to a good Christmas! And if you can spare the time a free download of Comfortable Prison:




Cheers, Mason.












Monday, 27 August 2012

The National - An appreciation

Welcome to our new blog, 'Villainous Folk'. Just to kick things off here's an appreciation of 'The National' that I did a while back:

The National - An appreciation


They’ve only recently become big in the UK but in the US they are massive, even backing Barack Obama on his presidential campaigns. I only really discovered them this year when I saw them live on the main stage at Latitude festival over the summer. 5 albums, each a different beast entirely, from folky beginnings of their debut, to the grand sweeping magnificence of their latest, each is something to be enjoyed.

It took me a while to get their sobered up indie rock but I really just haven’t stopped listening to them since then and I think they must be my favourite band at the moment. What really struck me with their songs is how they get so much atmosphere and purpose with the songs without the use of any real catchy riffs or instrumental brilliance, not to say that the musicianship is bad, in fact it is so delicate and intricate it often goes unnoticed.





But for me the thing i most love about them is the vocals and the lyrics. The vocals and especially the vocal melody give the structure and drive behind many of the songs and the voice is just amazing, the deep baritone Matt Berninger gives the songs their slightly darker side that sometimes comes right out with full-on rage fuelled verses. The lyrics are something I really admire about the band, they constantly churn out deep, sophisticated lyrics album after album and they never become cliched or tiresome.

However the album of theirs I want to share is their latest album, High Violet. This for me showcases The National as a band and gives the best example of what they do as well as every song on the album being brilliant in its own right. The vocal melodies in this album are brilliant and makes up for any missing riffs guitar-band lovers might want. Bloodbuzz Ohio gives the album a very strong single and leading song and the rest of the album builds around it and for really only the first time in my life I’ve found an album without one song being out of place.



These are a few songs of the National that I think showcase the band and High Violet:

  • The National - Brainy. This song for me shows why I love The National so much, the drums, the voice, the guitars, the intricate musical accompaniments swirling in the background, perfection.
  • The National - About Today. This song I only discovered recently on The National's 'Cherry Tree EP' and I'm so glad I did. Its simplicity and short brutal lyrics really struck a chord with me at the time, something this band seems to do all too often!
  • The National - Available. One of the only national songs with a strong riff in it, the angry vocals at the end feel really genuine and cutting.
  • The National - Cardinal Song. The lyrics are beautiful and so profound and make anything I write seem like cliched garbage. “Never tell the one you love that you do, save it for the deathbed when you know you kept her wanting you.”
  • The National - Mr November A rock song, the chorus beautiful, angry and heartfelt. "I won't fuck us over! I'm Mr November! I'm Mr November! I won't fuck us over!"
Songs from 'High Violet':



  • The National - Afraid of Everyone. This is probably my favourite song by The National, the lyrics are beautifully constructed, the rip of the guitar through the song is really felt and emotion just pours out of this song in bucketloads.
Anyway that’s why I love the National, I urge you to give them a listen and if you ever get the chance go and see them live as it was what really got me into music because of the way they made me feel and I wanted to do the same for other people.

By Mason Boycott-Owen