Showing posts with label the white stripes. Show all posts
Showing posts with label the white stripes. Show all posts

Thursday, 3 July 2014

EP Review: The Witch Hunt - Little Book Of Hate

We're back!

It's been a while but Villainous Folk is back writing for the foreseeable future with more artist spotlights, festival previews and music reviews on the way. First here's something we missed while on hiatus - a new EP from VF favourites The Witch Hunt (see our previous review here)



The Witch Hunt (formerly just 'Witch Hunt') are an alternative/atmospheric rock duo from Leeds who have been going from strength to strength in the last year since I last reviewed them. Fresh off the success of slots at high-profile events such as Live at Leeds and Tramlines, as well as Leeds Festival (and soon Beacons Festival which I will be attending) they have released their debut EP - 'A Little Book Of Hate'.

This EP foremostly takes what The Witch Hunt do very well indeed - big atmospheric thundering rock belters with outstanding vocals - and refining it somewhat. The production of the EP is also of a very high standard, which, along with more experimentation with effects, really compliments how grand in scope some of their songs are.

Nowhere is this perhaps more evident than on the opening track 'Army Man'. This track is the perfect opener for the EP, slow to start, it builds up from lovely delayed rim-shots accompanied by howling guitar drones building to an incredible crescendo. The whispering echo on the vocals gives the track an almost claustrophobic feel to it with the weight of sounds filling the track as well. This song also showcases Louisa's voice perfectly, it really is a belter of a voice that lifts a lot of the songs on this EP. Its also nice to see a change from the tendency at the moment for vocals which are very much 'an acquired taste'. Voices such as those of John Newman, Alt-J's Joe Newman (no relation to the former I believe) and Sam Smith, all take some getting used to; those on this EP do not however.

'One Big Bite' provides slightly more straight rock fodder, but still has those small flourishes of production and instrumentation that lift it above anything that could be called mundane or ordinary. This track also sees the band's development to focus on more choruses and hooks which make their music which is already interesting, far more accessible. This is also seen on the next track 'Wide and Laughing'.



'Wide and Laughing' is probably my favourite track on this EP and I think it is possibly one of their most well-rounded. The vocals here slip back and forth between sweeter tones and the more familiar blast of volume from Louisa. I also love the shuffling drum beat (interesting and innovative percussion being one of the band's big positives) which puts me in mind of Wild Beasts' 'Daughter' - the album of which I will hopefully be reviewing soon.

The second half of the EP is slightly slower in pace as it winds down. This allows tracks such as 'Can You Believe It' to give more prominence to Louisa's vocals and Chris's guitar-work. Lyrically, the band explores interesting facets of the usual suspects of angst-ridden rock - relationships, emotions and the like - yet not ever straying anywhere near cliche.


The final and title track 'Little Book of Hate' provides an excellent end to the EP. It is slower, softer and less abrasive and intense than any of the tracks that came before it, which showcases the balance that this EP has. It shows that this EP does exactly what it should do - show the versatility and potential of a new band.

This EP shows an uncanny level of competence and maturity in songwriting and you'd be forgiven for thinking that this weren't this first major release. This release therefore makes it very promising for the future as it seems to both address what the band do well, as well as trying to expand upon it. A greater focus on experimenting as well as emphasis on hooks, choruses and melodies will really help the band go to the next level - but it seems in this EP they have made more than bounds in that direction.

9/10






On a side note, the vinyl they produced for this EP is fucking gorgeous. I've seen vinyls as block colours, clear, and even in odd shapes but this purple explosion is best of all.

As with all of their other music you can support them directly by buying it from their Bandcamp page.




If you want to catch The Witch Hunt live, they are performing the following live dates:

  • 4th July - King Of The Mountain Festival
  • 20th July - Belgrave Music Hall - Leeds
  • 7th August - The Adelphi -  Hull
  • 8th August - Beacons Festival
  • 13th September - Long Division Festival - Wakefield



Wednesday, 19 June 2013

Track Review: Witch Hunt - Crawl // Chairman


Witch Hunt are a Leeds based, two piece alt-rock band with a massive sound that belies their modest two guitar and vocal set up. With influences such as Thom Yorke, Portishead and Warpaint, coincidentally some of my favourite artists, the result is an impressive output of atmospheric rock, capable of more restrained and darker songs such as 'Crawl', as well as far more ballsy and rockier tracks such as 'Chairman'. The band first caught my attention as I was trawling through the depths of the 'Live at Leeds' lineup; a festival I was gutted to miss on account of bands such Witch Hunt, Savages, Peace and Everything Everything.

For fans of: Daughter // The White Stripes // Anna Calvi // Warpaint

'Crawl' is a real gem of a track and also the one that I heard first and caught my attention. The guitar-work is intricate and the tone is wonderfully atmospheric and shimmering. The atmosphere of the song is also brilliant, it's spacious, rich and  not completely overwashed by reverb (a tool bands like Foals often rely a little too heavily on) showing this song is also very well produced and also proving that rock bands do not need to rely on drums for a great track. Then of course there is the vocals; the lead singer Louisa has a real belter of a voice and this tracks allows it to reach its full potential, allowing her to hang on notes, complementing the vast echo of the track. The lyrics similarly are wonderfully dark and complementary to the feel of the track, also remaining the right side of relatable and compelling without straying into cliche territory.



9/10


'Chairman' is a slightly different beast, this track dominated by drums and a killer riff. The drums are very interesting and a little unorthodox on this track (putting me in mind of 'Stepson' by Foals) showing this is more than your average rock track. The dual guitars taking high and lower pitches provide solid riffs throughout, but these along with several subtle alterations to the riffs, song structure and fading in and out of drums in this song, do more than enough to lift it far away from mundanity and keep it interesting - a skill that has often become the trademark of bands such as Radiohead and certainly a welcome addition to this track. The vocals here are also different, slightly lower and grittier but just as capable of delivering a raw punch of volume and emotion into the lyrics.



8/10


The band are also playing live at the following dates:

08/07 Cockpit - Leeds - Future Sound Competition * - Tickets
13/07 DV8 Festival - York
21/07 Tramlines Festival - Sheffield
27/07 Fell Foot Sound Festival - The Lake District

* Here the band will be playing for a place to play Reading and Leeds Festivals, go along and support!

Website // Facebook // Soundcloud // Youtube

Contact: wearethewitchhunt@hotmail.co.uk